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Ramon Bayeu 1746-1793
Spanish
Ramon Bayeu Gallery
The biography of Jose del Castillo (Madrid, 14.10.1737-Madrid, 5.10.1793) shows that the artist, being in his youth one of the most appropriate painters for becoming a leader of the artistic movement of the Illustrious Absolutism, ends up performing secondary work, paintings for tapestry and some religious works of art, which was not the field where he could best display his talent. Jose del Castillo is a perfect example of how an unhappy destiny can influence on the professional life of a painter under the regime of that time. Surely the unhappy destiny, in point of fact, does not explain anything and we will have to find out the real reasons why one of the most promising careers in painting of the eighteenth century in Spain was crushed. Probably it was a combination of two unsuccessful elections, from our point of view, that excluded the figure of Jose del Castillo from the elite group of artists of that time.
1
Painting ID:: 16
X
Ramon Bayeu Boy with Guitar 1786
Museo del Prado, Madrid
Painting ID:: 28581
X
Ramon Bayeu Fans and Bread Twists mk61
1778
Oil on canvas
147x187cm
Painting ID:: 28582
X
Ramon Bayeu A Rural Gift mk61
c.1785
Oil on canvas
183x146cm
Painting ID:: 33838
X
Ramon Bayeu The Blind Singer mk86
c.1786
Oil on canvas
93x145cm
Madrid,Museo del Prado
Painting ID:: 72135
X
Ramon Bayeu El majo de la guitarra Date 1786(1786)
Medium Oil on canvas
Dimensions 184 x 137 cm (72.44 x 53.94 in)
cyf
Painting ID:: 73669
X
Ramon Bayeu Obsequio campestre before 1793(1793)
Oil on canvas
183 X 146 cm (72.05 X 57.48 in)
cjr
Painting ID:: 88289
X
Ramon Bayeu Portrait of Manuel Godoy 1790(1790)
Medium Oil
cyf
1
Ramon Bayeu
1746-1793
Spanish
Ramon Bayeu Gallery
The biography of Jose del Castillo (Madrid, 14.10.1737-Madrid, 5.10.1793) shows that the artist, being in his youth one of the most appropriate painters for becoming a leader of the artistic movement of the Illustrious Absolutism, ends up performing secondary work, paintings for tapestry and some religious works of art, which was not the field where he could best display his talent. Jose del Castillo is a perfect example of how an unhappy destiny can influence on the professional life of a painter under the regime of that time. Surely the unhappy destiny, in point of fact, does not explain anything and we will have to find out the real reasons why one of the most promising careers in painting of the eighteenth century in Spain was crushed. Probably it was a combination of two unsuccessful elections, from our point of view, that excluded the figure of Jose del Castillo from the elite group of artists of that time.
